Picking Paper |
This section will provide some helpful tips on picking papers and using them in your stamping projects.
To help you determine what paper you would like to stamp on, first consider your project. Certain papers are more suited to specific techniques like watercoloring or brayering. Other papers don't take specific inks well or may need to be embossed when those inks are used on them.
To make sure your matte paper is suited for watercolor, try stamping an image in a waterproof ink, then watercolor in the detail. Many times, for watercolor, you need a rougher paper to take in the water without buckling, or having pieces of paper ball up under your brush or blender pen. I personally use one type of rather porous matte paper specifically for watercoloring, and another very smooth one when I want a matte finish, but will not be watercoloring.
One thing that looks quite nice on glossy card stock is brayering. Again, you will want to use a water-based dye ink pad. Rainbow pads are great for this look, but you can brayer a single color also. Because of the coating on the glossy card stock, you can blend the color into the card stock fairly evenly with a rubber brayer. You cannot do this on the matte finish paper.
Another thing that glossy card stock is useful for is embossing. When you use a *pigment* ink instead of a dye ink on the glossy paper, it tends not to dry. But for an embossed image, this is great! The image you stamp will stay wet for so long that you can take your time getting it covered with embossing powder. When embossing on matte finish paper, however, you really need to rush to make sure you get that powder on before any of the ink gets soaked up.
Yet another advantage to glossy paper is being able to color in an image with markers. The markers do not bleed as they do on matte finish paper. Just be sure to use an ink for the outline of the image that is waterproof--to prevent smearing of the image with markers while coloring.
One final note on glossy paper limitations is that you can't watercolor or chalk on the glossy paper with much success. Both these techniques require a rougher surface to accept their media.
Vellum is a lightweight coated paper, available in two distinctive weights. Most papers referred to as "vellum" are a very thin paper, and very translucent. This vellum is commonly used as an overlay, where it mutes the design below, and gives a softening effect. Embossing on vellum in a metallic tone such as gold or silver, then coloring the details of the image in on the underside with a marker, creates elegant results. To showcase this subtle work, the vellum is usually mounted over a white background piece. Because the vellum is translucent, most adhesives are visible through it. Paper crafters will commonly position another layer of card stock or paper over the areas they adhere, or they will adhere the vellum to the main piece with eyelets, brads, or ribbon.
A thicker vellum counterpart, commonly referred to as "vellum card stock" is also available. It is not as translucent as the paper, though adhesives can still be seen through it. One feature that vellum card stock offers over the paper, is the ability to dry emboss a design on it. Vellum card stock is a slightly off-white color, but areas which are dry embossed will be bright white. This is a very elegant and unique look.
Mulberry paper is an uncoated, fibrous, "handmade" paper. It's not actually made from paper pulp, but instead from mulberry fibers (hence, the name). I believe most of these papers are imported, which probably explains why they tend to be much more pricey than regular paper and card stock. A distinctive feature of mulberry paper is the frayed look you get when tearing it. Don't use scissors to cut your mulberry paper, instead, wet a paintbrush with water and paint lines where you want to tear away the mulberry. Pull the mulberry away while the lines are wet.
Mulberry paper is mainly used as a layer of embellishment. Because it is so porous, stamping on the surface doesn't produce striking results. However, embossing on it in metallics is another way of achieving an elegant look for your handcrafted pieces. If you want to make your own "faux" mulberry paper, you can rinse out used dryer sheets, and even color them with a drop or two from a waterbased reinker and a bit of white vinegar (to set the color). Let the sheets dry, then use them as you would the real thing!